Jamaican-born sculptural artist Nari Ward’s allegorical installations reveal issues related to race, poverty and consumer culture through the use of upcycled objects often found in his New York City neighborhood. For the typographical composition One Voice, Ward delineated the letters of the work’s title with more than 8,000 shoelaces, many of which were collected from the Atlanta Falcons and local high school football teams. The multicolored strings appear to drip down the concourse wall, and the contrast of the hard edges and organic outlines represents how opposing dispositions can work together as one.