Late-American visual artist Radcliffe Bailey’s distinct and dauntless style is demonstrated in his mixed-media installation, Conduits of Contact. The union of fabricated and found objects, including pre-1925 images from the Robert Langmuir African American Photograph Collection at Emory University, metaphorically connects historical African-American migration patterns to the modern world. Bailey’s work, spanning three concourse walls, offers viewers a sense of unity and underscores how the human experience links the past and present.